That’s right … the most bang for the buck is AO’s upcoming production … Eugene Onegin.

Why?

Not because it’s written by Tchaikovsky, the composer of The Nutcracker, Swan Lake, the 1812 Overture and many other famous classics.

Not because the story was written by one of the greatest poets ever … Alexander Pushkin

Why?

Because it’s the first time a Russian grand opera is being produced in the American Circumpolar North, specifically Big Wild Anchorage, Alaska.

And why is that important? Because of all the places in the United States, Alaska has the most significant historical, social and strategically important relationship with Russia.

Some people say you can see Russia from Alaska! Truth is … only 2.5 miles of sea separate Alaska and Russia at their closest point, and it is possible to walk across when the Bering Strait freezes in mid-winter.

Get ready Alaksa, AO’s Onegin will be one for the record books!

Oh … and Cramer … don’t forget, the Real BOO-YA will be Big Wild Opera!

Click here for tickets and more info

Apprentices belted it out and kicked up their heels to cheers from a sold-out audience at their Eclectic Cabaret! A silent auction and deliciously decadent dip buffet accompanied the spectacular Broadway melodies. 

Special guest Professor Fran Lautenberger of the UAA Dept. of Theater even joined ensemble director Mari Hahn for a racous rendition of Bosom Buddies!

The apprentices are now gearing up for their final performances this semester.  Eclectic Broadway will feature little known gems from Kiss of the Spider Woman, Chess, Little Women, Light in the Piazza, Secret Garden, Follies, Urinetown, Side Show and Assassins, along with some favorites from West Side Story and Thoroughly Modern Millie.  Directed by Mari Hahn, accompanied by Janet Stiles, and lighting design by Cedar Cussins. 

The Opera Ensemble does Broadway… come and check it out! 

Dec. 4 and 6 in the UAA Recital Hall, 7:30 pm. 

Tickets at the UAA Box office:  786-4TIX.

Know an Opera Hater?

November 10, 2009

Baby Tolerating Opera
Tell ‘em about OPERA TOLERATORS. Bring your friends and family to the worlds most entertaining and fun opera support group.

Powerful, dramatic shows, special discount ‘newbie’ tickets, and ‘painless’ opera info chats. And if that’s not enough, we offer:

• Barf bags
• Ear plugs
• Post show counseling
• Emergency beverage treatment during show intermissions

The next OPERA TOLERATOR gathering is Wednesday, November 11.

Click here to learn more

JMcCarty - Head Shot - 08-2009 - v4
I’ve been singing in Sister Angelica for the past month or so, and lately I’ve been thinking about one of the opera’s themes – a mother’s love for her child and how it relates with my experiences in the Alaska Native and Native American communities. 

My heritage is a mixture of Inupiaq, Irish, Scottish-Irish and English. My mother was born in Nome and raised in Seattle, and my grandmother, who was born in White Mountain, was raised in Kivalina, a tiny community in northwest Alaska. A desire to connect with this part of my heritage is what brought me to Alaska from Toronto, Canada, where I grew up. A singer for most of my life, this fall I found myself singing in the Anchorage Opera’s double-feature production of Suor Angelica/Pagliacci.

Sister Angelica, who is from a royal family, was forced to enter the convent seven years before the opera begins because she had given birth to an illegitimate child, thus staining the reputation of her family’s name. As any mother would, she yearns to hear word of her son, but in the meantime, she dutifully whiles away her time at the convent. All of the other nuns, although they might not know the truth of her deepest desire, know that she sorely misses her family. When word of a noble visitor is announced, all thoughts turn to Angelica, and all nuns, concerned for their fellow sister, disregard their own desires and unite in a wish that the visitor might be for her.

I have experienced this sort of unity of spirit. A few years ago, I was a member of an Inupiaq dance group called Iknaaniktut, which is an Inupiaq word meaning, “It has been lit”, referring to a legend about the Northern Lights. Before beginning our practice, we would hold a talking circle, a ceremony that Alaska Natives have borrowed from Lower 48 Native American cultures. In a talking circle, the designated leader announces the purpose for the gathering, and then participants take turns smudging with sage and then pray while holding a “talking stick” – a stick (or feather) that often is decorated with beads, that, when held, indicates who is speaking. No one is to interrupt the speaker until he or she is done. The stick passes around the circle until it reaches the group leader. We had our talking circle, and then would dance, finishing our gathering with a feast of nigipeak, or traditional Inupiaq foods.

On occasion, we would also do a special talking circle for Iknaaniktut members who were going on trips, as going on a journey always presents possible risks. We would pray for protection for the person traveling. One time, I was traveling to the Smithsonian Institution in Washington, DC to work with some Alaska Native Elders. My dance group held a talking circle for me before I left. As I took off in the plane, I could feel the energy of their prayers surrounding and protecting me. Believe what you will, but I felt stronger having gone through that experience, knowing that my friends were thinking about me and had focused their thoughts on my safety.

Sister Angelica is a short, one-act opera, but like a shooting star, is heart-breakingly beautiful in its brevity. I hope you will join us, and think of what it means to pull together and support one another as you watch the drama unfold.

Eclectic Cabaret poster
UAA Opera Ensemble presents An Eclectic Cabaret!

Students and faculty of the UAA Departments of Music and Theater present a program of Broadway favorites. In an up-close and personal style, the performance takes place in the Student Union Den, accompanied by a buffet of sweet and savory dips.

There will also be a silent auction, with all proceeds to benefit the UAA Opera Ensemble’s spring production. Great music, hilarious antics, delicious food and great shopping! Not to be missed.

Location: Student Union Den, UAA (Campus Center, lower level)
Date and Time: Saturday, Nov. 14, 1-4pm
Admission: $15 general, $10 students/seniors
Tickets sold at the door. For reservations, call 786-1009

Nun Goes Extreme!

October 10, 2009

the-nuns-story

Don’t miss one of the most shocking, beautiful, and powerful stories ever about a Lady of the Cloth!

AO’s upcoming presentation of Sister Angelica will leave audiences spellbound!

Click here to purchase tickets and learn more.

opening night party

The Event of the Season!

Join the excitement of Opening Night at the Opera! Meet the stars of Pagliacci and Sister Angelica and “clown around” like never before.

Sensational performances, food, drinks, prizes and dancing following the show!

Where: Alaska Center for the Performing Arts
When: Saturday, November 7, 2009. 10:30pm – 12:30am

Click here to learn more and purchase tickets!

Love can be a Party!

Nancy Caudill, Backstage, Davis Concert Hall, Fairbanks, AK, 9-09
AO Resident Artist, Nancy Caudill, recently presented a stellar vocal recital of classic and contemporary Spanish, English and Italian Art Songs at Davis Concert Hall in Fairbanks.

Diva Caudill was joined by Jaunelle Celaire, a leading Alaskan Soprano and Associate Professor of Voice at the University of Alaska, Fairbanks. James Spontak provided the piano accompaniment.

In the pic above, Diva Caudill is getting Big & Wild backstage before the recital.